P.B. answers the questions of La Gazette du Var

After "Souffrances" and "C’est la vie", with the track "Toulon de mon enfance" of which we the release of two albums of man.

Is the song built in three acts?

Yes. The first act evokes a peaceful, almost naive morning. The second is a brutal break, heavy metal style, jerky percussion: the detonation. The third is the aftermath. The adagio of chaos. Saturated guitars, irradiated silence. The world suspended.

The film shows Paris in a fictional reality hit by a nuclear missile.

Paris is a symbol. It is not a provocation, but a mirror. Fiction makes it possible to say what reality refuses. Every shot questions our fragility. This film is a warning, not a gratuitous shock.

Cinematographically, did you use artificial intelligence?

Yes, but AI refuses the generation of overly realistic and scripted visual violence. So I took over in post-production with specialized software that I master perfectly and which existed long before AI. The whole thing was scripted beforehand: every shot, every special effect is thought out, orchestrated and synchronized with the music. against indifference. I refuse to watch the world sink in silence.